Cameron Roberts is an architect and painter writing about art, mules and the 1960’s
Francisco Goya’s Pedro Romero shows the toreador with his mouth open in a restrained snarl. He is a predator, barely contained in the finery of his vestments.
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Francisco Goya’s Pedro Romero shows the toreador with his mouth open in a restrained snarl. He is a predator, barely contained in the finery of his vestments.